著名ai换脸网站_AI如何从著名的死去艺术家那里删除新音乐

Artists have been experimenting with algorithmic composition in music for years. As AI continues to advance, it’s role in music is growing

艺术家们多年来一直在音乐中尝试算法合成 。 随着AI的不断发展，它在音乐中的作用越来越大：

Artists can already use Natural Language Processing (NLP) tools to randomly generate phrases as inspiration for new songs. They also make for fun YouTube videos when humans perform music with 100% AI-generated lyrics.

艺术家已经可以使用自然语言处理 (NLP)工具来随机生成短语来激发新。 当人类使用100％AI生成的词演奏音乐时，它们还使YouTube视频变得有趣。

But the potential for AI in music is much larger. These 3 open source projects (all based on OpenAI) show where the future is headed

但是音乐中人工智能的潜力更大。 这三个开源项目(均基于OpenAI )显示了未来的发展方向：

MuseNet doesn’t attempt to replicate the full range of audio music. Instead, it aims to replicate patterns in MIDI data. The difference between audio and MIDI is nuanced, but the difference is significant to AI developers.

MuseNet不会尝试所有音频音乐。 相反，它旨在MIDI数据中的模式。 音频和MIDI之间的差异是细微的，但对于AI人员而言，差异是重大的。

Raw audio recordings capture unique og waveforms from vocals and complex instruments. There are infinite variations between waveforms. This makes pattern recognition and replication extremely difficult.

原始音频记录可从人声和复杂乐器捕获独特的模拟波形。 波形之间存在无限变化。 这使得模式识别和极为困难。

In contrast, MIDI captures specific notes in instruments with fixed keys, such as the piano. Because MIDI has defined notes, it is much more easily replicated with machine learning. Check out this classical AI composition as an example below

相反，MIDI会用固定键(例如钢琴)捕获乐器中的特定音符。 由于MIDI定义了音符，因此可以通过机器学习轻松它。 看看这个经典的AI组合，例如以下示例：

AI classical by MuseNet (select listen in browser)

MuseNet的AI Classic(选择在浏览器中收听)

When it comes to actual audio waveforms, such as vocals, this machine learning model is not well equipped. For that, we have Jukebox AI.

当涉及人声之类的实际音频波形时，该机器学习模型的设备并不完善。 为此，我们拥有Jukebox AI。

Jukebox AI builds on MuseNet to tackle the full human experience of music. Here, the algorithm works with huge libraries of raw audio to generate new music from scratch. It’s fascinating. Here’s one in the style of Elvis Presley

Jukebox AI建立在MuseNet上，可以处理人类的完整音乐体验。 在这里，该算法与庞大的原始音频库一起使用，可以从头开始生成新音乐。 令人着迷。 以下是猫王猫王风格的作品：

AI in the style of Elvis by Jukebox (select listen in browser)

Jukebox打造的猫王风格的AI(选择在浏览器中收听)

If you want to hear more, take a moment to listen to a few samples that Business Insider collected. You’ll notice that they all sound like an old cassette that sat out in the sun too long. Or perhaps they sound like The Sims playing popular music with their made-up language.

如果您想了解更多信息，请花一点时间听听Business Insider收集的一些样本。 您会注意到，它们听起来都像是一个旧磁带，在阳光下呆了太久。 也许他们听起来像《模拟人生》用他们的人造语言播放流行音乐。

Overall, these fully AI-generated songs feel soulless and deranged. For now, there is still a human narrative component needed to bring them to life.

总体而言，这些完全由AI生成的曲让人感觉毫无生气和精神错乱。 目前，仍然需要一种人性化的叙述来使它们栩栩如生。

While AI has a long way to go for replicating vocals, AI backtracks have awesome market value. AIVA is a great example of putting it to use for profit.

尽管AI在人声方面还有很长的路要走，但AI回溯具有巨大的市场价值。 AIVA是将其用于盈利的一个很好的例子。

AIVA is a startup that focuses on serving the film and entertainment industry. They have been generating background soundtracks for movies since 2025. Imagine the following song during a relaxed surf sequence on a film such as The Endless Summer

AIVA是一家致力于为电影和娱乐业提供服务的创业。 自2025年以来，他们一直在为电影生成背景配乐。想象一下在《无尽的夏日》等电影中轻松的冲浪顺序中的下一首：

AI instrumental rock by AIVA (select listen in browser)

AIVA的AI工具摇滚(选择在浏览器中收听)

They also helped finish a 115-year-old classical composition. It was abandoned over a century ago due to Antonín Dvořák’s death. Hold up!

他们还帮助完成了115年的古典作品。 由于安东尼德沃夏克(AntonínDvořák)的去世，它被废弃了一个多世纪。 耽误！

This, folks, is where things get interesting. Here we have a sneak peek into a world where AI is capitalized to continue the works of a deceased artist.

伙计们，这就是事情变得有趣的地方。 在这里，我们窥探了一个世界，在这个世界中，人工智能被资本化了，以继承已故艺术家的作品。

This isn’t all that different from Disney using CGI to continue the work of Carrie Fisher. Antonín had no say in how his creative legacy can be continued post-death. These technologies did not exist in 1905. Legacy planning requires an entirely new rulebook for these issues in media rights.

这与迪士尼使用CGI继续Carrie Fisher的工作没什么不同。 安东宁对于死后如何继续他的创作遗产没有发言权。 这些技术在1905年不存在。旧版规划要求针对媒体权利中的这些问题使用全新的规则手册。